The shiny appearance is reproduced nicely. I feel I’m almost touching it.
The back bokeh has double-lines, but if you carefully choose the distance, it will give you a nice bokeh.
LEICA M5 , LEICA SUMMILUX-M f1.4/35mm ASPH. , Photo by K
An example of rough back bokeh. But I think this is rather interesting… what do you think?
LEICA M8 , LEICA SUMMILUX-M f1.4/35mm ASPH. , Photo by K
It was a summer day and it was humid, but even so, the picture does have some moisture. This lens just pictures things “uncooked.”
Digital images are not as contrasty as film images. So once I raise the contrast, the tonality and reality tend to be lost. This is a scanned image of a film, but still I am amazed by the way subject in focus surfaces. It’s almost like a montage photograph.
This lens is meant to be shot wide open.
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本来シグマさんのデジタルカメラに用いるアクセサリーでしょうけれど, なんだか性能高そうです。ということでおすすめしてみます。
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ライカ純正フィルター。黒鏡胴のレンズに。SUMMILUX-M f1.4/50 ASPH.などに使い回せます。
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クラシックなんて名前がついてるものだから, 少々誤解を受けやすいのですが, 球面の35mmで, ある種最高の写りをする1本。