LEICA SUMMICRON-M f2/50mm
Category Tags : LEICA NORMAL | Carl Zeiss NORMAL , Voigtländer NORMAL , ALL LENS

It captures air with moisture and a mass. This is how the Summicron draws the world.

The realism and massiveness are something I don’t feel from the Planar.

LEICA M9 , LEICA SUMMICRON-M f2/50mm , Photo by K

It looks very solid. Things nearby look near and things afar look far. I think the power of lens can be measured by this ability to reduce the scene to two dimensions.

LEICA MP , KODAK 400TX , LEICA SUMMICRON-M f2/50mm , Photo by M,ISHIZUKA

I can recognize the solid body precisely even on this high-contrast film.

A compilation of what have been loved by photographers. One wants to get it before the large aperture lens.
Speaking of Leica, almost everyone thinks of the Elmar and the Summicron. The resolving power of the first Summicron is a legend, and also we shouldn’t forget its rich tonality, great solidity, smooth bokeh, and enough sharpness. This lens is still non-aspheric while the majority of modern Leica lenses are being shifted to be aspheric. Maybe Leica thought this lens doesn’t need to be aspheric. Although the excellence of those aspheric lenses is so obvious, this lens is something that you find its savor as you keep using it. Honestly, if you have this lens, you don’t need other lenses. You may want to compare it with Carl Zeiss Planar T* 2/50 ZM. They are identical in terms of specs, but different in performance. While the Planar is a little dignified and flamboyant, the Summicron is realistic and serious. The choice depends on your preference. Large aperture lenses are genuinely attractive, one can fully understand why they are so attractive after s/he use this lens.

I stopped down quite a bit. It’s sharp across the frame and I feel the massiveness of the leaves.

LEICA SUMMICRON-M f2/50mm
Category Tags : LEICA NORMAL | Carl Zeiss NORMAL , Voigtländer NORMAL , ALL LENS
一緒に購入したい商品
ライカ 13131 UVaフィルター E39 [ブラック]
ライカ 13410 [フィルター E39 UV/IR]

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撮影中レンズキャップをするのは面倒, だけれどレンズが汚れるのは・・・というときに役立つのがレンズフィルター。汚れても拭くだけ。

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LEICA M8/M8.2にはあると便利なUV/IRフィルター。

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レンズ沼の深淵を覗く
ライカ 11891C SUMMILUX-M 1.4/50mm ASPH. [ズミルックスM 50mm/F1.4 ライカM]
カール ツァイス C Sonnar T* 1.5/50ZM BK ブラック [C ゾナー 50mm/F1.5 ZM]

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根源的性能の高さに文句の付けようもなく, F1.4という大口径でありながら開放からビシバシにシャープ, ボケ味の素晴らしさ。大吟醸でしょう。summicronとはまた違う世界がここにあります。

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往年の少しクセが感じられるハイスピードレンズを同時に手に入れる。アリだと思います。

カール ツァイス Planar T* 2.0/50 ZM [プラナー 50mm/F2.0 ZM ブラック]

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同スペックのPlanar。両者は似て非なり。だから両方欲しくなる罪深き沼。

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