I dare to shoot a wide view with a wide lens. The picture may show my worldview rather than the scene.
The torii (gateway at the entrance to a Shinto shrine) of Itsukushima Shrine. I only had the following in mind: utilizing the falloff, monochromizing, and silhouetting the subjects. The center is sharp. The corners are less sharper than the center, but sharp enough. Once the angle of view is this wide, shooting becomes just fun, regardless of the results.
On a summer day in Onomichi. A woman is going down the stairs. Just being careful with the leveling, I took this shot murmuring “it would’ve been nicer if she was using a white umbrella...” The perspective is just intense, and it captures your fingers and feet easily. Anyway, nothing is more fun than traveling and shooting.
Compared to the first version, this second version is more neutral although it's still bluish. Those who likes slide films will love this color balance. This lens becomes a 18mm on the R-D1, making it the widest lens for the camera.
This is a 12mm with the angle view of 121 degrees. Whether you need it or not, the combination of a M-mount rangefinder and this lens makes the smallest ultra-wide system. The size become a little bigger than the first version, but it's rangefinder coupled and still much smaller than SLR lenses. Yet, the price is unbelievably reasonable. My rating goes high just because of this unique existence, but it's practically a nice lens with a sharpness wide open. Although it's a little soft in the corners wide open, but it becomes sharper across the frame if you stop down. The dramatic falloff is something you want to apply. This is the most cost-effective 12mm and it will come in handy for a situation you cannot step back.