LEICA ELMARIT-M f2.8/24mm ASPH.
Category Tags : LEICA WIDE ANGLE 24-35mm | Carl Zeiss WIDE ANGLE , Voigtländer WIDE ANGLE , ALL LENS

Wide open. This wet drawing is the best appeal of this lens.

LEICA M2 , LEICA ELMARIT-M f2.8/24mm ASPH. , Photo by K

Films tend to be more contrasty than digital, and the shadow details are easily lost. Still this lens captures details from the highest light to the deepest shadow.

LEICA M2 , LEICA ELMARIT-M f2.8/24mm ASPH. , Photo by K

The wet aircraft looks bewitching in this picture.

Softness and rich tonality. So attractive that one wants to mount on for no reason.
The tendency of depiction is very similar to the ELMARIT-M f2.8/21mm ASPH. While the 21mm is razor-sharp, the 24mm maintains more than sufficient sharpness yet soft. And, like the 21mm, the tonality is very rich and has special moisture. Since this lens has an aura of glamour especially wide open, I just want to mount it on the body for no reason and then start finding the suitable subjects. If you shoot artifacts such as irons or glass, you can capture them with their presence thanks to its wet drawing. Also, because the tonality is rich, it will be a great portrait lens. Anyway, it’s an excellent lens.
LEICA ELMARIT-M f2.8/24mm ASPH.
Category Tags : LEICA WIDE ANGLE 24-35mm | Carl Zeiss WIDE ANGLE , Voigtländer WIDE ANGLE , ALL LENS
一緒に購入したい商品
ライカ 13004 UVaフィルター E46 [ブラック]
ライカ 13411 [フィルター E46 UV/IR]

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ライカ純正フィルター。黒鏡胴のレンズに。SUMMILUX-M f1.4/50 ASPH.などに使い回せます。

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M8/M8.2をお使いのお客様に。ブラック。

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外付けファインダーを揃えると, レンズの使用頻度が増すのです。ファインダーを覗きたいからレンズを選択する。本末転倒のような, 本当のハナシです。

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こちらもつい無くしてしまいがちなリヤキャップ。

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レンズ沼の深淵を覗く

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超広角で大口径なら, ここが頂点。使えばわかる, とんでもないレンズです。

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35mmには, クセのない優等生をひとつ。少し光が足りないときや, もう少し自然に撮りたいときに。

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